On the morning of Sunday, December 3, a group of faculty and students visited several sacred spaces in the Montrose neighborhood, with the goal of examining the relationship between art, architecture, and faith. The event was co-sponsored by Canterbury Circle, the Fashion & Architecture Club, the National Art Honor Society, and the Spiritual Life Board.
The tour began in front of the Chapel of St. Basil, located on the University of St. Thomas campus. The Reverend Beth Holden shared some facts about the chapel, including how its renowned architect, Philip Johnson, was an atheist. The group also discussed the symbolism of the building’s design, such as how the chapel faces the university’s library to suggest the dialogue between faith and reason. Inside the chapel, the group discovered a beautiful, tranquil space, lit only by natural light. Zoey Loving ’24 commented, “I am curious to see what [the interior] would look like on a rainy day!”
Next, the group visited the Chartres-style labyrinth In the Chapel of St. Basil’s memorial garden. Studio Art teacher Lauren Cunningham explained a little about the history and design of labyrinths. She clarified the difference between mazes, which are puzzles designed to confuse you, and labyrinths, which are spiritual tools designed to center you. Shepherd Gregg ’24 reflected afterward that as she walked the labyrinth, “I kept thinking about the path of life that we follow, which is ultimately directed by God, and this is what the labyrinth symbolizes.”
The third and final stop on the tour was The Rothko Chapel at the Menil Collection. After spending some quiet time inside the chapel, the group convened outside to discuss it. Daphne Rockecharlie ’25 remarked how the paintings made her “sit and think about everything.” Indeed, a consensus was that the sparse, octagonal room and its large, dark paintings by artist Mark Rothko had, somewhat unexpectedly, provoked contemplation and created a sense of calm.
In addition to being thought-provoking, all three sites included in the tour demonstrated how art and architecture can inspire and enhance spiritual thought. The Christian Church has recognized the connection between the senses and faith for centuries. The Reverend Holden writes, “What we perceive through our senses has the potential to greatly enhance our time in prayer and communion with God. Beauty in its many forms calls to mind our Creator and inspires us to continue his creative work in the world.”